Wednesday, April 09, 2014

Condo Christmas

This little painting was a joy to make. I've said this before: what I increasingly love about painting is the texture that is built up through working and re-working a passage on the canvas. It isn't quite joyful while I am second guessing myself at the moment but the result is one that allows me to see the proof of my work and that lets me review what I have done. If only life was that concise for me that I can clearly see and remember where I made decisions that have led to certain outcomes!

A pretty cool first for me occurred with this painting: A wonderful couple and now becoming one of my most valued collectors and friends, from Dorking England got to see most of the development of this painting as they were in and out of my studio during their yearly stay in South Beach last month. They decided to take this painting with them, which marks the first time I've sold a painting while it was still wet! Cheers indeed!

Thursday, March 13, 2014

Wait For Me

I began this little painting some time ago. One sure thing about living in the sprawl of South Florida is that you spend a lot of time in vehicles. One has to either learn to love it or at least try to make the best of it. There is always music, podcasts or Audible.com. Inevitably you get moments that everything feels to come together. Here is a rainy night drive home after the studio, my iPhone genius has created a mix and I have to just settle in and be alright with how long the drive will take.

Tuesday, March 04, 2014

Back in the Alley Trading Hands

This is the first painting I have done that is finished with a palette knife. Over the years I have been wary of paintings done with a palette knife, too many have a sort of look that bothers me. I guess the context in which I have seen these kinds of works has something to do with it: they are usually boldly displayed in cheap frame shops. They tend to have a uniform finish as if no care was taken by the artist to follow the form depicted, any how, yuck! I have developed a speed over the years in beginning a painting, I think I followed the advise of an artist I briefly studied with around 2001 or 2002 at the Arts Students League Ms. Mary Beth McKenzie. She had me begin a painting over and over again. I think that the value I have gained in this practice was to really let go of any worries as it pertains to be too perfect. You gain a sort of bravery this way because you realize that paint goes on in layers, so that any seemingly "wrong" passage can be corrected with a few more well placed brush strokes. In addition, I took to heart the idea that we have many, many bad paintings in us that must get out of us to make space for a good one or two. I share this idea now to my own students. This painting was a case in which I felt I was "correcting" too much, so I gave myself an assignment: I could only paint one patch at a time with a palette knife, knowing full well that I'd have to slow down way more than I am used to. In the end I was struck with a new sense of appreciation for the craft of painting, in that the palette and the canvas act like stenographers and record every thing that is said. The struggles are there recorded on the work and its overall look is pretty rewarding to me. I hope you enjoy it. Thanks

P.S. Does anyone know where I got the title from? I am from New Jersey afterall

Monday, August 27, 2012

South Florida Cultural Consortium and other updates

It has been a very long time since I have posted anything that was not a painting. Part of the feeling of trepidation was that I ,simply, am not a writer, the other part is that I consider myself to be a consumer of other people's thoughts and ideas (I thought of putting a link to some of the words I tend to consume here, but found that A. I don't really know how to do that and B. there may be too many and way too many political one at that) I am compelled tonight ,however, to finally put up a few thoughts on my current state of affairs. We live in a culture that is quite content on airing personal to-doings and what-nots. Some become consumed by a great many and others are rarely, if at all, seen. Who knows, but here is my little contribution: It has been a very nice week for me. I won the South Florida Cultural Consortium http://www.broward.org/ARTS/ARTISTS/SOUTHFLORIDACULTURALCONSORTIUM/Pages/Default.aspx . This is a prize given every year to artist that are favored by that year's jury. I was, quite frankly, shocked that I was the winner. Do not get me wrong, it is not that I lack confidence in my ability to make art. It is something else. A damnable idea about what I find to be the state of art around me. A state in which I have for a long time felt both somewhat familiar and alien to. The feeling I have is like returning to the place you grew up in and finding it completely different, and yet it looks the same. Do you get what I mean? This year there must have been enough people on that jury that had some kind of affinity to my feeling that they chose me as this year's recipient of the prize. My family and I have nothing but the utmost sense of gratitude to this group of jurors. Thank you, thank you, thank you.

Updates on other areas of my life: I am experimenting with creating prints of my work for my fans that have shown interest in owning a few paintings but ,understandably, felt that they could not part with their hard-earned money in this economic climate (When oh when will this recession end?!) I should have some available very soon. I will make the announcement on Facebook when they are ready. I assure you they will be affordable. Also, I have been wondering if you, kind reader, (yes you) would suggest which painting you would like to have a print of. Write me your choice and I will compile a consensus as to which one was the most requested. Who knows maybe there will be a prize print given away. Details to the prize print will also be announced on Facebook as well, so make sure to friend me or ask me.

Other news: good thing it has been a pretty good year with these prizes-Paint Me Miami and now the South Florida Cultural Consortium and as always I am grateful to the students that are still signing up for my classes although some think I am "mean and strict" and other things (that's for another post, I am sure) because we will have another mouth to feed in some months! My wife has been pretty low-key about it and I have been quite the opposite, but we are both finally comfortable to share the news. Our son Miles is going to be a big brother!

Tuesday, May 01, 2012

Cruising on Flagler Evening

This painting was chosen as the Grand Prize winner for the 2012 Paint Me Miami competition

Monday, August 29, 2011

Also at the Bass Art Museum this month and next, a couple of my paintings in the Debra and Dennis Scholl collection

Fuel Truck Depot

Come see this and other new paintings at my fourth solo show for the Dorsch Gallery in Wynwood, Miami, Fl this October.

Tuesday, June 21, 2011

Some figure drawing lessons for this past semester on dry erase board






I thought I would share some of these images I found on my iphone. I am teaching figure drawing at Broward College this semester. I now wish I took more shots of some of the other lessons. These are based on a few different lessons. One on composition, another on anatomy, another on conceptualizing the figure with boxes and another on gesture drawing. These felt pretty liberating to do since I can not fuss about archiving it; I knew the eraser had to come. I think this also emphasized the idea that one must attack a project with gusto and not fear mistakes. There is always another sheet of paper or canvas or in this case a dry erase board!

Sunday, February 13, 2011

Attorney Raz Tako

This is a work in progress. I am working from life and as you know attorneys are a busy sort, heck he was even working while he posed for this drawing! It was a fun challenge however

Thursday, October 14, 2010

Wonderful night

I had the most pleasing night. My wife and I went on a date. The first one since our son was born six months ago. We went to the Frost Art Museum in Miami to see our friend Arnold Mesches and his spectacular paintings. While there, my good friend and gallery owner Brook Dorsch told me to take a look at the museum's permanent collection show on the second floor. Lo and behold there were about a dozen works of art in this room, two of which were large Peter Paul Rubens paintings and staring at them on the opposite wall was one of my paintings! The museum bought the painting last year and I was told that it was hanging in the university's president's office,which makes me feel kind of nice, but this honor of being in the same room as Peter Paul Rubens is quite another feeling! It was a good night.

Saturday, May 15, 2010

Naples Art Museum

If you are in Naples, Florida go and see two of my paintings at the Museum through June 26th

Thursday, April 29, 2010

NEXT ART FAIR

Hello everyone, if you are in Chicago this weekend come by the NEXT ART FAIR, some of my new paintings will be on display at the Dorsch Gallery booth (# 7-6112)
Thursday April 29, 2010 through Sunday May 2nd.

Wednesday, March 03, 2010

Painting of studio parking lot after the rain

One of the aspects I am aware of is the difference in the quality of light that falls over south Florida as compared to where I am from in northern New Jersey. One of my favorite paintings by George Bellows captures that northern light most strikingly. His "Winter Afternoon" painting gives me comfort. In that painting he captures the view of the Palisades where I grew up. I knew well the little jagged orange that represent the morning sun on those cliffs. I can go on and on, my point is that the representation of light is a catalyst to certain moods for me. In this painting a torrential rain had fallen over my studio in the early evening. As it often rains here the clouds moved fast and it was clear again leaving the parking lot wet. Little puddles acted like a mirror to the sky above. The light danced and jumped all over my vision bringing me a sense of excitement that I had to try and capture.